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《菠蘿蜜》無法逃脫的宿命
Written by Molly 「為了爭取獨立,馬來亞共產黨在森林裡打了數十年的游擊戰。當他們的孩子在戰時出生 ,會被送出森林,以求生存。」 黑底白字出現短短幾行字,述說那段至今仍被掩蓋的歷史樣貌:1948年起,馬共領導馬...
Jul 21, 2020


《打烊時刻》平凡規律生活的美麗迷人之處
Written by Lucie Wang 瑞士新銳導演妮可富格勒(Nicole Vögele) 的超16釐米膠卷拍攝的電影《打烊時刻》,也是她在德國研習電影的畢業製作,記錄下清晨三點台北市區的邊緣地帶,一間清粥小菜店老闆老郭與妻子、夾娃娃機店情侶經營者、計程車司機、隔壁的...
Jul 13, 2020

Closing Time (2018) Film Review
Written by Lucie Wang Swiss Director Nicole Vögele’s Super 16mm film Closing Time, also happened to be her essay film during...
Jul 13, 2020


《阿紫》The Good Daughter 好女兒還是好媳婦?
Written by Simon Yang “It was very interesting because he is the one who wants me to keep filming Azhe and let her story be told. He...
Jul 12, 2020


The Good Daughter (2019) Film Review
Written by Jessie Tu Sally Wu’s searing observational documentary The Good Daughter opens with a conversation that casts an illusive...
Jul 11, 2020


《出發》是一種誠實——坦承自己並不完美無暇,但以真摯的樣貌站在觀眾面前。
Written by Simon Yang 所謂:做戲癡,拍片傻。國內影視從業者的辛苦從來都不是秘密,只是若非入行親身參與,很難真正了解拍片有多困難。那麼《出發》這部紀錄片更刷新了觀眾的認知,很明顯地,觀眾不只感覺到主角陳彥博辛苦,鏡頭背後如影隨形的技術人員一樣氣喘吁吁。...
Jul 11, 2020
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