Written by Simon Yang Time flies as we age, whilst the first bite of sorbet from the ice cream van in our memory will never melt...

文/辛母羊 長鏡頭——似乎提及侯孝賢，從粉絲至光譜族群的另一端都能反射性如此回答。隨著新電影運動褪下，穿越風起雲湧八零年代台灣社會，把火炬帶到今天的作者，是不是值得其他更全面的答案？ 觀眾都過分習慣精緻設計地、用來作為堆砌情緒然後點燃導火線的那種語言了。我們得告訴那些對低頻...

The 2nd Short Film Competition aims to develop and bring up the Taiwanese and Australian new talents by premiere their work at the 3rd...

Written by Jessie Tu At the beginning of Andrey Zvyagintsev’s Loveless (2017), we meet Boris and Zhenya, who are in the middle of...

Written by Tinzar Lwyn “I’ve never cared all that much about explications, especially psychological ones. If a film is a river, or more...

Written by Jessie Tu Something strange happens to me whenever I hear the four-bar melancholic, arpeggiated piano of the introduction of...