The 7th Taiwan Film Festival in Australia
25 July - 8 Sep 2024
2022 FEATURES | 節目片單
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GODDAMNED ASURA《該死的阿修羅》
Directed by Lou Yi-An 樓一安
Co-scriptors of GOD MAN DOG (2007), Lou Yi-An and Singing Chen team up again to create this brand new masterpiece that tackles the debates of good and evil in human nature’s and personal choices in life. Each chapter is crafted with details to unveil the characters’ interconnected relationships in different times and universes.
由入圍金馬最佳編劇《流浪神狗人》的搭檔樓一安與陳芯宜再次聯手編劇打造全新佳作《該死的阿修羅》，配上超強卡司陣容包括《親愛的房客》莫子儀、金鐘獎視后黃姵嘉、《誰先愛上他的》黃聖球、與《你的孩子不是你的孩子》王渝萱。全片以特別命名的章節分段，探討人性決策中的善惡黑白，並且呈現不同的時間線和宇宙，而角色、事件彼此之間都存在連結和映照。
OPENING NIGHT 開幕片
TILL WE MEET AGAIN《月老》
Directed by Giddens Ko 九把刀
TILL WE MEET AGAIN is an adaptation of the award-winning author Giddens Ko’s novel YUE-LAO. The film stars Gingle Wang (DETENTION, 2019), Kai Ko (MONEYBOYS, 2021) and Vivian Sung (NINA WU, 2019). The story of the magical tale of romance begins with a winsome childhood affair to an epic spiritual battle to save humanity. TILL WE MEET AGAIN offers a voguish style with action, music, and romance that certainly endeavors an exciting cinematic experience.
台灣當代知名小說大師九把刀親自打造，繼《那些年，我們一起追的女孩》再度自編自導，結合神怪懸疑元素的愛情故事。主演包括備受矚目的新生代實力派演員王淨、宋芸樺和柯震東。
FAR AWAY EYES《幻日手記》
Directed by Wang Chun-Hong 王君弘
FAR AWAY EYES is created with an enigmatic atmosphere of Taipei City in black and white, combined with a striking aesthetic nostalgia contrast with bustling metropolitan scenes. This poetic work of art is a must-see for all cinephiles.
台灣新銳導演王君弘的首部長片，沈可尚監製，具有散文和日記性質的典型「私電影」。拍攝台北常民的通勤時光、選舉影像、本土與外來並陳的獨特都會風景。靜態攝影師出身的王君弘選擇以黑白呈現畫面，溫和的灰階使電影罩著懷舊質感。
A LEG《腿》
Directed by Chang Yao-Sheng 張耀升
Award-winning novelist Chang Yao-Sheng’s directorial debut A LEG features the outstanding producer-scriptwriter Chung Mong-Hong (THE FALLS, 2021), editor Lai Hsiu-Hsiung (MY MISSING VALENTINE, 2021), and cinematographer Nagao Nakashima (THE SUN, 2019). Starring Gwei Lun-Mei (GF & BF, 2012) and Yo Yang (The VILLAGE OF NO RETURN, 2017), the film offers a refreshing way of storytelling and uses dark humor to narrate the bittersweetness of a relationship.
冷面笑匠編導張耀升把玩台詞與人心的黑色喜劇。明星級演員加持，看劇場耆老金士傑如何不帶髒字罵人；金馬獎級幕後團隊打造，老班底中島長雄（鍾孟宏）和盧律銘以優美的攝影和配樂助陣。
YI YI: A ONE AND A TWO《一一》
Directed by Edward Yang 楊德昌
Taiwanese auteur Edward Yang created this subtle masterpiece that won the Best Director at Cannes and New York Film Festival in 2000. With precise and inescapable camera movement, and combined with the dynamic storytelling, YI YI is undoubtedly one of the leading cinematic representations from the Taiwanese New Wave Cinema.
作為楊德昌導演生涯最後一部、也可能是評價最高的長片，《一一》早已成為影史的經典，其傑出不僅在於電影本身的動人，更因彼時攝製與發行階段遭遇的困難，使得長時間未能在台灣正式上映，和本國觀眾緣慳一面，賦予了電影的傳奇色彩與討論度。
TAIPEI STORY 《青梅竹馬》
Directed by Edward Yang 楊德昌
Taiwanese auteur Edward Yang’s second feature TAIPEI STORY is filled with stylish images that capture the wandering souls during the rise of a metropolis. What identity do individuals belong to, and what values should they obtain during the time of the repressive regime?
台灣「新電影」時期的經典之一，楊德昌導演最被低估的重要作品，由電影大師侯孝賢、歌后蔡琴主演，影史的獨一無二。透過珍貴的歷史畫面，總統府前飆車、棒球錄像、飛鏢酒吧、富士相片的大型看板廣告等，觀眾得以回顧八零年代的台北光景。
GREEN JAIL《綠色牢籠》
Directed by Huang Yin-Yu 黃胤毓
Riveting observational and experimental documentary, GREEN JAIL (2021) was filmed over the course of 4 years on Iriomote Island, Okinawa Japan—an island that once was a notorious coal mine before World War II. Grandma Hashima Yoshiko lived on the island since 1937 after being adopted by Yang’s family with the intention of becoming the ‘child bride’ for the family.
導演黃胤毓耗費數年調查、整理檔案、同時成書的罕見歷史事件。拍攝地點不在台灣，卻還原台灣在場歷史事實的參與觀察式紀錄片，提供認識台灣過往的另一種正在被遺忘卻必要的途徑。穿插著錄音檔案、演員的戲劇式重演（Re-enactment）、疊映的手法，摹想出穿著和服、被禁錮受苦的時代幽靈。
TAIPEI DAD, NEW YORK MOM (UNFINISHED)
《台北爸爸紐約媽媽（未完成）》
Directed by Mickey Chen 陳俊志
Mickey Chen is an iconic queer filmmaker and activist from Taiwan. He has been making documentaries since the late 90s including the queer trilogy: BOYS FOR BEAUTY (1999), MEMORANDUM ON HAPPINESS (2003), and SCARS ON MEMORY (2005). Chen’s autobiography of the same title won multiple literary awards in Taiwan and was adapted into a stage play in 2012.
已故同志作家暨導演陳俊志的遺世影像，由同名自傳小說發展而成，亦曾改編為舞台劇。由金馬影后楊貴媚獻聲朗誦，粗剪破碎片段可見完整輪廓，只是來不及瑰麗先黯淡。這部反身、探索個體與家庭、跨國的生命記事將不朽保存於影像中。
I REMEMBER 《我記得》
Directed by Lin Chun-Ying 林俊頴
A stimulating sequel to awards-winning author-scriptwriter Chu Tien-Wen’s literary documentary UNFULFILLED DREAMS (2020) which documented the lives of Chu’s parents. In I REMEMBER, the camera is turned to the sisters to explore their literary journeys since high school and how they established their literary publication San-san Jikan (in English: Double Three Journal).
《他們在島嶼寫作》文學大師紀錄片系列又一力作，延續《願未央》，從故國舊時的思念，過渡到當代台灣，紀錄當代台灣重要作家朱天文、朱天心姐妹的創作和生活。電影由同樣出身文壇的導演林俊穎掌鏡，由朱天文編劇時期長期合作的侯孝賢導演擔任監製。
AMONG US 《地球迷航》
Directed by Lin Cheng-Sheng 林正盛
Award-winning Director Lin Cheng-Shen has made numerous films including A DRIFTING LIFE (1996), MARCH OF HAPPINESS (1999) and ROBINSON’S CRUSOE (2003), which were selected for Cannes Film Festival. In the past ten years, Lin has been paying close attention to people living with Autism, including in his previous documentary TWINKLE TWINKLE LITTLE STARS (2010).
以《放浪》、《愛你愛我》等多部劇情長片角逐國際影展的林正盛，不忘以紀錄片形式關懷社會議題，繼亞斯伯格症者為對象的《一閃一閃亮晶晶》之後，呈獻另一部動人肺腑的紀錄片。
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TSAI MING-LIANG SHORT FILMS SELECTION
導演蔡明亮短片單元
THE NIGHT 《良夜不能留》
THE MOON AND THE TREE 《月亮樹》
A CONVERSATION WITH GOD《與神對話》
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QUEER SHORTS SELECTION co-presented by Taiwan International Queer Film Festival
台灣國際酷兒影展合作推出《台灣酷兒短片單元》
MAKE A WISH《她他》
Directed by Chen Ke-Yun 陳可芸
THE GLAMOROUS BOYS OF TANG《唐朝．綺麗男》
Directed by Su Hui-Yu 蘇匯宇
ADJU 《歌舞的我們》
Directed by Lu A-Liang 盧盈良
INCREASING ECHO 《修行》
Directed by Chienn Hsiang 錢翔
Accomplished cinematographer Chienn Hsiang’s sophomore feature, INCREASING ECHO provides a substantial glimpse of a married couple living in an unparalleled world. Director Chienn’s extraordinary and classy cinematography captures the desolation of those drifting souls.
資深攝影指導錢翔曾擔任《藍色大門》與《總舖師》攝影，相隔數年後終於推出第二部自編自導的劇情長片《修行》。全片採用不尋常的攝影技巧，從第三人稱與偷窺視角，緊迫地觀察同一個屋簷下的夫妻，見證密不透風的窒息婚姻，日復一日，如何把曾經相愛的人變為行屍走肉。
TERRORIZERS 《青春弒戀》
Directed by Ho Wi-Ding 何蔚庭
From the award-winning director Ho Wi-Ding (CITIES OF LAST THINGS, 2018), a master of creating multilayered narrative that tackles human loneliness in the metropolis. Director Ho’s short film RESPIRE (2005) won two awards at Cannes - International Critics’ Week, and SUMMER AFTERNOON (2008), which was also selected for Cannes – Directors’ Fortnight. Ho captures the essence of loneliness that eventually turned evil in contrast with obsequiousness in the lives of the characters in TERRORIZERS.
集合新生代一線演員飆戲，何蔚庭導演探討當代社會人際關係、情感、身體，引用cosplay、虛擬實境、情色直播等元素反芻媒體現象的灰色愛情片。乍看浪漫情侶和都會愛情故事要成形，惡意卻在角落伺機而動，引發幾個青年男女之間錯綜複雜的關係與劫難。沒有人是壞人，每個人卻都不小心越線，跌落深淵。
DEEPEST UPRISING《波濤最深處》
Directed by Huang Ming-Chuan 黃明川
Considered a pioneer independent filmmaker with a passion for art and literature, Huang Ming-Chuan often uses an unconventional style of filmmaking and artistic approach in his documentaries to voice the most critical issues in the current society.
被譽為「台灣獨立製片教父」的黃明川，曾在電影業萎靡的九零年代台灣開創了自己的道路，獨自完成國片史上絕無僅有的「神話三部曲」。創作不輟的他至今仍在紀錄片領域開拓題材、貫徹與眾不同的電影美學。