Director Giddens Ko returns with another whimsical love story adapted from his short story novel. Starring award-winning actress Vivian Sung (NINA WU, 2019), musician/rapper Daniel Hong, and Kai Ko (MONEYBOY, 2021), with their captivating performance in this romantic comedy, it will amplify your love potion and get ready to fall in love all over again.

鬼才說書人九把刀的第四部電影作品，改編自小說《精準的失控》中的短篇。由人氣藝人玖壹壹的主唱春風和宋芸樺主演，並搭配柯震東、蔡昌憲、禾浩辰、蔡凡熙、洪都拉斯等九把刀宇宙堅強班底。《請問，還有哪裡需要加強》再次創造全新類型的浪漫喜劇，糖發好發滿，觀眾準備再次墜入愛河。

Award-winning Taiwanese American director Arvin Chen returns with his highly anticipated new feature film after a hiatus of 9 years from his previous feature works. With its stunning blend of magical realism, MAMA BOY invites audiences to immerse themselves in a bittersweet and ambiguous exploration of human connections.

屢獲柏林影展的 NETPAC 大獎和銀熊最佳短片獎等國際影展肯定的台裔美籍導演陳駿霖，睽違九年強勢回歸，帶來萬眾矚目的大銀幕新作品《初戀慢半拍》。以驚奇的敘事手法，描寫都市愛情中的酸甜苦辣。陳駿霖常以異想天開的點子和對人的細膩觀察，在寫實的都會場景裡，添加奇幻童趣的色彩。

In this enchanting rom-com, the vibrant tapestry of realism unravels the profound journey of soul-searching for one's other half, transcending the boundaries of sexuality and gender. The film masterfully entwines two divergent paths of the protagonists, using marriage as a lens to question and reveal the profound essence of happiness.

由五月天石頭，叛逆才女范曉萱和國民天王任賢齊等台灣明星卡司同台演出。電影借用經典老歌為名，唱出現代婚姻關係裡的迷惘和焦慮。處理棘手的人生問題，陳駿霖化繁為簡，沒有複雜的支線敘事和煽情，除了偶爾天外飛來一筆的奇幻點綴，只是像《一一》裡那個拿著相機的簡洋洋一樣，遠遠看著真實世界，觀察著無所適從的男女。

German New Wave master director Wim Wenders served as Executive Producer in this remarkable work of art. Set against the backdrop of Taipei's nightlife, the film follows the charming characters as they playfully chase each other between night markets, twisting alleyways, abandoned temples and more.

德國新浪潮名導文．溫德斯跨國監製，不僅是陳駿霖一鳴驚人之作，更開啟郭采潔的銀幕生涯。《一頁台北》以臺北的夜幕為背景，可愛的都市小人物在麵店、彩券行、書店之間追逐嬉戲。電影更為如今已熄燈的敦南誠品書店記下雋永的一頁。

Director Lee Yi-Fang's directorial debut feature, LITTLE BLUE, with her daring artistic vision and astonishing female gaze, unravels the female's sexual desires. By challenging the taboo representation imposed by a male-dominated society, the film raises significant awareness about the mental and physical harm that continues to persist in today's world.

導演李怡芳第一部劇情長片，透過一對互相扶持的母女，以及各自發展出的愛情線，探索當代都市裡各種人際互動、孤寂和女性意識，並反思時下的約炮等網路交友模式與現象。

A visually striking wonder, reminiscent of the works of Apichatpong Weerasethakul. The film transports viewers into an unsettling void, where the lives of the forgotten unfold. Jow's earlier short films have garnered recognition at esteemed film festivals, including Cannes, Busan, and San Sebastian.

新加坡導演姚志衞掌鏡，由台、星、法、葡四國合製，獲得台灣文策院的國際合製專案支持，入圍柏林影展新世代單元角逐水晶熊獎。由台灣實力派影帝戴立忍出馬，新加坡新銳演員陳嘉良初試啼聲，共同譜出一段深刻揪心的父子情，展開迷惘青年的自我放逐之旅。

As one of the most successful Taiwanese directors of the 21st century, Director Cheng skilfully blends supernatural comedy and crime thriller elements, creating a brilliant mix-genre knockout that keeps viewers on the edge of their seats and evokes a wide range of emotions throughout the film. 

懸疑大師程偉豪自我突破的台式喜劇，以台灣民俗元素冥婚為主軸，結合懸疑元素，發展出腦洞大開的悲喜愛情故事。絕對令人笑到下巴接不回去，絕對讓人哭到衛生紙不夠用，絕對議題正確適合各種性傾向與認同的男女老幼。

Documentary filmmaker A-Liang has been absent with his family for more than 20 years. The previously estranged family, where love and grudges always intertwine and interchangeably surface, slowly comes closer together through A-Liang’s lens. It is an intimate journey of homecoming, a portrait of rekindled family bonding despite differences in religious beliefs, and an unflinching tale of self-discovery through filmmaking. 

一名離家多年「北漂」的電影導演，如何透過紀錄片還原、縫合因生活的磨難而傷痕累累的原生家庭？在盧盈良真實的攝影機下，沒有一滴眼淚是人工的。而面對凡事求神問卜的迷信家人，又該如何活出人生？「人」與「神」之間的衝突該怎麼化解？

From the talented emerging director of THE ISLAND THAT ALL FLOW BY (TWFF, 2016) comes another poetic masterpiece. Collaborating with the award-winning Director of Audiography, Tu Duu-Chih, and the esteemed cinematographer of THE SILENT VOICE (TWFF, 2021), Chen Chi-Wen, this remarkable work captures the essence of storytelling through a seamless fusion of a remarkable blend of visual and auditory elements. 

以電視電影《川流之島》成名，睽違多年再度推出自編自導長片，不負眾望在金馬入圍多達十三個獎項並斬獲最佳影片。本片承載導演的一貫的社會關懷，選擇了罕見的「賽鴿」題材，冷峭地凝視一個因賭將家庭拖入深淵的男人，以影載道，聚焦在台灣的城鄉差距等經濟社會困境。

In his directorial debut, acclaimed actor Kai Ko collaborates with Giddens Ko, the director of MISS SHAMPOO (TWFF, 2023), for the screenplay, and with Shieh Meng-Ju, the editor of DETENTION (TWFF, 2020), to bring forth a remarkable transformation of the film. Moving beyond dark humour, the film delves into the depths of human existence, exploring themes of brotherhood, reality, and society's darkest corners. Through their collective vision, the team crafts a thought-provoking narrative that challenges viewers and prompts them to question the intricacies of humanity.

柯震東這次不演純情高中生或月老，而是畫起了分鏡圖，演而優則導，與老搭檔再次聯手出擊——在九把刀的老練編排下，透過幾段不堪的寓言和奇遇，挑戰觀眾的道德界線，省思人性本「惡」。新人朱軒洋的表演一鳴驚人，以及戴立忍的教父級加持，讓柯震東的首部導演作品重新定義台灣黑幫電影。

Director Fu brings her childhood memories in a barbershop to life in this beautiful and heartwarming film. Through an intimate female perspective, the film delves into the themes of motherhood and human connection with grace and tenderness. DAY OFF showcases the intangible bonds we form with others, the moments of love, understanding, and support, are what truly give life its value and meaning.

本作難得邀請到金馬影后陸小芬復出，息影數十年仍然表現出強大氣場，陸小芬從八零年代展示肉體的豪放女設定，搖身一變為年長的家庭理髮師母親，其銀幕影像的轉變、洗盡鉛華的清淡表演，可以讓觀眾見證時代的變遷；與新生代演員如施名帥、陳庭妮、方志友、傅孟柏等人之間的對戲與火花更是一大亮點。導演傅天余取材自親身經驗，製作歷時三年，參與的監製人員包括台灣編劇教父吳念真和《孤味》製片人吳明憲，共同譜寫一封給台灣媽媽的美好情書。